巴齐耶粉色的裙子百度网盘资源下载

粉色的裙子是法国印象派画家弗雷德里克·巴齐耶于1864年创作的画作，画中的光影和人物描绘的都非常好。下面就和小编一起来欣赏一下吧。

目录：

1.粉色的裙子

2.作品介绍

3.无水印高清图下载

粉色的裙子

图片尺寸：3673 × 5029 像素
作品名称：The Pink Dress
中文名称：粉色的裙子
创作者：弗雷德里克·巴齐耶 Frederic Bazille
创作年代：1864
风格：印象派
体裁：风俗画
材质：布面油画
现位于：Musée d'Orsay, Paris, France
实际尺寸：147 x 110 cm
版权信息： Public Domain（公有领域）

作品介绍

机器翻译

巴齐耶来自蒙彼利埃，于1862年搬到巴黎继续学习医学。在大学就读期间，他经常去格莱尔的工作室，在那里他遇到了后来组成印象派团体的年轻艺术家们。巴齐耶经常和他们一起直接在户外作画。他对表现自然光下的风景和人物特别感兴趣。这幅画创作于1864年夏天，是一个美丽的早期例子。

画中的人物是泰雷兹-德-埃尔，巴兹勒的一个表亲。巴齐耶和德-埃尔斯一家过去每年夏天都在蒙彼利埃附近Castelnau-le-Lez村的Méric的宏伟庄园里度过。这座房子和它的场地稍高一些，可以俯瞰整个村庄。巴齐耶在花园远端的露台上为泰雷兹摆了一个姿势。

她穿着一件简单的裙子，上面有垂直的粉色和银灰色条纹，还有一条黑色围裙。她背对着观众，看向村庄和覆盖着米迪地区典型的橙色瓦片的屋顶。

巴兹勒用树木框住中间的地面，以强调远处和前景之间的对比。这是巴比松画派的画家，例如泰奥多-卢梭，经常使用的一种技巧。在这里，这些树和泰雷兹的脸一样处于阴影之中，突出了米迪河的原始光线，勾勒出轮廓。

在一幅预备画中，泰雷兹面向观众，是传统肖像画的典型位置。有趣的是，画家最终选择了从背面展示他的模特，从而在他的画中创造了一种平静的满足和共鸣的氛围。

原文

Originally from Montpellier, Bazille moved to Paris in 1862 to continue studying medicine. While attending the university, he used to visit Gleyre's studio where he met the young artists who later would form the Impressionist group. Bazille used to go with them to paint directly in the open air. He was particularly interested in representing landscapes and figures in natural light. This painting, created during the summer of 1864, is a beautiful, early example of this.

The figure in the painting is Thérèse des Hours, one of Bazille's cousins. The Bazille and des Hours families used to spend every summer on the magnificent estate of Méric, in Castelnau-le-Lez, a village near Montpellier. The house and its grounds were slightly higher up, overlooking the village. Bazille set Thérèse in a pose on the terrace at the far end of the garden.

She is wearing a simple dress with vertical pink and silver-grey stripes, and a black apron. She has her back turned to the viewer, and looks towards the village and its roofs covered in the orange coloured tiles typical of the Midi.

Bazille frames the middle ground with trees in order to emphasise the contrast between the far distance and the foreground. This was a technique much used by the painters of the Barbizon school, Théodore Rousseau, for example. Here, these trees, in the shadow as is Thérèse's face, accentuate the raw light of the Midi which outlines and defines the contours.

In a preparatory drawing, Thérèse is facing the viewer, in a position typical of the traditional portrait. It is interesting to note that the painter finally chose to show his model from the back, thus creating in his painting an atmosphere of calm fulfilment and empathy.

无水印高清图下载

图片尺寸：3673 × 5029 像素
图片大小：3.3 MB
图片格式：JPG
下载方式：百度网盘